Coarse screens and half tones
Submitted by Steve on Thursday, 19 June 20088 Comments
It is pretty standard practice in screen printing to use very fine screens where a half tone is required, but unfortunately fine screens and water based inks do not work well together. So what do you do? Ignore everything you have been told about mesh counts and half tones! Experiment a little, good fades are achievable in water based inks without the use of retarders or even high definition bases. We experienced no drying in screens on this particular job and were amazed yet again at the detail coarse screens can achieve. We also think the job benifited from the jerzees 180M Tee.

Hey
how did you get this gradient with half tones? i read about the index separation but it is not so sharp as this how did you do this?
Hope to get a reply soon.
Hi Kevin
This is not index printing, this is half tones at 55lpi printed on top of solid vector shapes. The smooth appearance of the tones is helped by the colours where the fades occur being similar, the grey shadow is a transparent water based ink this also helps in making the gradients more subtle. Hope this helps a little.
[...] coarse-screens-and-half-tones [...]
It’s seems great even with water based inks.
Hi, How course did you go, I’ve just tried a 90T with permaset aqua and not enough ink is getting through on my halftone. I’ll be ordering some coarser screens to try (down to 43T) but just wondering what mesh you used for the above example as it is very cool.
Regards
Steve.
Fred Thanks
Steve: We get 55LPI on 50T screens with no problems, our printing is primarily waterbased, we very rarely use screens finer than 81T. We survive quite happily on a diet of 50T and 65T meshes. Appropriate screen coatings and good exposures are essential to keep the emulsion from falling off your mesh as there is little for it to hold on to.
Thanks for the response on your mesh sizes, I’m very much a newbie getting to grips with printing so being able to see what can be achieved is a great help. Keep up the good work.
What screen angles have you found that work best on your 50T and 65T meshes? I’m in California and the equivalent meshes we use would be 120-55µ or 130-55µ (120 Threads per inch and 55 micron Thread Diameter). For most plastisol jobs we use 230-40µ and the best angle has been 26°. It is totally moiré-free and we can consistently hold down to about 4% dot at 75 lpi. We’ve also found that the water-based inks benefit from a coarser mesh around 120 threads per inch, but we haven’t found the time to test every angle at an assortment of different lpi’s. I appreciate your response.
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